So, here's a free clip from Superman/Batman: Public Enemies, which is available today on DVD and Blu Ray and On Demand and Pay Per View and beamable directly to your subconscious.
Okay, maybe not the last one.
After the jump we have a few more clips, plus more photos from the film, and an interview with Tim Daly (the voice of Superman.) Apparently he does some sort of television show now. That's nice for him. What a nice young man.
Can you recall your initial audition for Superman?
Tim Daly: Yes, I remember it very well. The wife of one of the writers on Wings knew Andrea (Romano, casting/dialogue director), and, I guess they had been having trouble casting (Superman) for some reason. I don’t really know why. She suggested me and I came in and read for them, and they sort of hired me in the room. I was just shocked, but I was thrilled, because it was Superman. And, you know, if someone's got to keep America safe for democracy, it might as well be me (he laughs).
What are the challenges to voicing Superman?
Superman is a real boy scout, a real straight arrow, and yet he does have certain moments of kind of ironic humor. The challenge is not to tip him into cynicism because he is not a cynical guy. He is truth, justice and the American way. He is about trying to do the right thing and trying to be earnest about his goodness. What makes him fun are those little moments where he reveals that he actually does have a sense of humor.
Also, Superman has always gotten the crap kicked out of him by various laser beams, electrical force fields, bombs, kryptonite and new weapons – so there's a lot of grunting and straining and screaming noises that you have to do. There is so much punching and fighting that I find myself standing in front of the music stand and the microphone, pinching myself and torque-ing my body around as if I'm getting punched or straining against someone or grabbing someone by the scruff of the neck. The key is to push out of your mind the embarrassment of what it would look like if someone actually saw you do that in your shorts and flip-flops when you're supposed to be the Man of Steel.
I think probably the most fun I have as Superman was in the episodes with Superman and Bizarro, where he changes into this sort of idiot Superman and his whole demeanor sort of changes. He's not really deviously bad, or not consciously bad, but he does a lot of bad things because he can be manipulated – of course, by Lex Luthor.
What do you bring to Superman?
I guess the actual embodiment of that character (he laughs) – no, I'm kidding. I ain't no Superman (laughs). I guess I bring whatever little quirks make him more real. I like to think that this is my wheelhouse Superman. Whenever you reprise something, you hopefully reinvent it a little bit. If I had portrayed Superman as a live action person, I would really have wanted to know that there was a new spin on the ball.
You’ve been away from the role for a while – did recording Public Enemies present any new revelations about the character and doing the voice?
The most surprising thing about it was that I missed it. I found that I really had missed doing Superman. I thought that particular script was really good. For those of us who are interested and aware of new certain things in our world and our country, I think that it presents a very kind of subtle social commentary which I think is cool and relatively bold for something that's a DVD release of a Superman animated project.
How did recording with Kevin Conroy influence your performance?
Voicing animation is always interesting because you don’t have to all be in the room together. It can be done separately. But it's always better when you're in the room because then you're responding to someone else. Kevin is such a good Batman and, unlike Superman, Batman is pretty cynical. He's of darker character. When you have those two flavors playing off each other in real time, there's a lot more sizzle to it. You're not in a vacuum. So being in the studio together is definitely helpful.
Did you enjoy the “buddy cop” aspect of the film?
Superman and Batman have a good flavor to them, much like Butch Cassidy and the Sundance Kid or Nick Nolte and Eddie Murphy in the 48 HRS movies. They're sort of thrown into a situation where they have got to respond to a dilemma and they have very different points of view about how to deal with it, but ultimately they bond as a team. And it's funny having these two guys who are so different working for the same cause.
When you were first cast as Superman, did you understand the importance of the character to the world, and were you surprised by the fan reaction?
I admit to my own shame that I took it just on a lark. I thought, “Oh, this would be fun.” And then I started to realize that Superman actually meant a lot to a lot of people. I feel badly that I didn’t take a moment to understand that I actually have a greater responsibility than I thought I did. I understand that now, and I enjoy my responsibility and have more of a profound sense of it.
Every once in a while, someone comes up to me and says, “Excuse me, are you Tim Daly?” And I say yes and they say “I have to tell you, I am such a huge fan of yours, and my favorite work of yours is the voice of Superman.” I'm always sort of surprised when that happens – I used to think that it was all about the kids watching those animated shows, and who did the voices didn’t really enter their consciousness. But there are people that it means a lot to and I'm always a little bit taken aback by that. And I'm thrilled when that happens.
Which character do you gravitate toward: Batman or Superman? And why?
I like Superman better. Not just because I play him, but I think because I'm a little bit of an idealist and Superman is, too. He's a little bit more pure. He's about saying that good can win, that you can have goodness be the order of the day. Batman is somewhat more realistic in terms of the human psyche because he's a little more tortured – he's darker, more cynical and more street savvy than this strange guy that landed in a cornfield in Kansas. But for the purposes of having a super hero, I think having someone be good is more satisfying for me.
Is there something you consciously do to put that sense of trust in your voice as Superman?
It's acting 101. I see what Superman is supposed to say, and then I say it as truthfully and straightforward as I possibly can. It's always more fun to play villains and there's a lot more latitude, but it's way more difficult to play the good guy – especially someone as squeaky clean and straightforward and All-American as Superman. You really have to commit to the idea that this guy believes in his mission, that he's telling the truth and that he's looking somebody in the eye and giving it to him straight. It's surprisingly difficult to do.
In conjunction with everything else you've done as Superman, can you envision how the fans will embrace this film?
I think that, interestingly enough, this particular film will work on a pure light entertainment level because there's all the fighting and characters and technological things involved. But there's also this subtle social commentary that I think that people who are more thoughtful or sort of discerning about that the progress of Superman over the years will be very interested in. I think that a lot of people will love it. Other people might be a little discomforted by it, which I think is great to stir things up a little bit.